Sunday, 22 May 2011


A few days ago Ai Weiwei, the Chinese artist whose astounding installation could recently be viewed in Tate Modern, was finally allowed to see family.

I say finally, as he disappeared for over a month, being detained by Chinese police and his family was worried whether his health has taken a downturn in the hands of the authorities...

Now there are news about tax evasion and other such reasons that apparently triggered his arrest and vanishing in the labyrinth of Chinese retaliation.

However, as a renowned artist who was and is deeply critical of the Chinese regime, he was a painful thorn that kept pricking the mighty monster.

And as usual, a seemingly all-powerful regime that flaunted its often delusional, but even more often real, might is so paranoid that is afraid of an artist.

It is perhaps the sharpest contrast between the loud arrogant discourse of such regimes and their tragicomic fear of a single person who has international voice.

Of course all such regimes spent decades retaliating against dissident artists, but when a giant like China does it, then this contrast is phenomenal.

One wonders what the ultra-paranoid China has to be afraid of - but whilst this communist giant takes on openly the US Government and international condemnations, it suppresses artists because somehow this giant feels so threatened by a handful of brave voices.

One would in a way wish, for the benefit of all the persecuted artists among who Weiwei is just a recent name, that China would really live up to its arrogant megalomaniacal rhetoric - and let the dissident voices reverberate internationally as if they were nothing to fear from.

But none of these regimes ever displayed true might - instead, their bloody hands (or tentacles?) trembled every time a little and brave individual opened his or her mouth in criticism.

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